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#3 Sighting Strategies & Establishing Pictorial Space



The Materials

VINE CHARCOAL

Vine charcoal is a piece of charred willow. It comes in different softness/hardness varieties. Soft vine charcoal will produce dark gray value, Medium will be lighter, Hard produces the lightest value range. It moves very easily on paper. Its easy to manipulate, almost like clay. It's easy to blend with and remove with a kneaded or plastic eraser.

COMPRESSED CHARCOAL

Compressed charcoal is much darker. 
There is a bit of oil in it, and thus the values you can produce will get much darker than vine.  The blackness you can produce is very rick and dark. Compressed charcoal also comes in pencil form. Compressed charcoal works best for fine details and for when you want to produce a rich shadow.
Sighting & Measurement in Still Life Drawings

Make use of a pencil, chop stick or other straight hand held tool that you can use to lay against the still life forms you see. This will help you see angles more accurately.  Think of the room as a standard clock; the ceiling is 12, the floor 6, the wall to the east is 3, the wall to the west 9.  



Your "stick" will be both the hour and the minute hand. Note, they will never bend to become 3:07 as in the above image.  They remain straight in their rotation.  By using this method you are understanding the angle you see into simple linear terms. You can use this method to understand how negative shapes are placed in the still life, so you can accomplish the contour drawing of form. 

Here are some examples:







Student Work: 
First Still Life drawings



Video: A moment of Silence - a Portrait in 2 minutes


Charcoal Tips outside class

WK #4:
Project #3 assignment >
18 x 24" drawing paper
3 rectilinear forms arranged into a composition
In 5 or more values
Excellent composition strategies
Completed in vine charcoal and kneaded erasers



The Charcoal Drawing Process

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Materials List

Art Box or waterproof toolbox (fish tackle box) to keep all supplies in 8” x 10" or larger sketchbook (spiral or hardbound) 18 x 24” Drawing Paper – spiral bound >> minimum size Drawing pencils: HB, 2B, 6B, Ebony, pencil sharpener Compressed Charcoal – 3 sticks – soft or medium paper stumps 1 small piece of chamois cloth and/or cotton cloth Black and Titanium White acrylic paints Plastic or metal palette knife India Ink + plastic water container (Pepper will supply) Bamboo brush – round # 4 or #6 1 chopstick hand sharpen one end Metal compass Rubber paper cement Spool of white string or jute/twine 1” Artists’ Tape or Drafting Tape Scissors Handled X-Acto blade or Matt knife Metal edged ruler (18”) 1 box clear pushpins Spray can of Charcoal Fixative (Pepper will supply) Roll of Wax paper from the grocery store (Pepper) Inexpensive Watercolor set (12 colors, pucks or tubes) Selection of colored pencils (inexpensive) Kneaded Eraser, White Plastic d...

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c o l o r   is   a l w a y s    in    C  O  N  T  E  X  T   considerations towards final project Egon Schiele Egon Schiele Egon Schiele Edward Munch Self Portrait Edward Munch Self Portrait Edward Munch Edward Munch Edward Munch Henri Matisse Henri Matisse Vincent van Gogh Vincent van Gogh Jean-Édouard  Vuillard   Jean-Édouard  Vuillard Alice Neel   Alice Neel Alice Neel Self Portrait