Skip to main content

#7 The Abstracted Self in Ink Values


Selfies in experimental ink flows

10" x 8" image size on 14" x 11" paper size
Watercolor paper 140#
Paper oreintation = vertical

Rules:
1. Take a Selfie of yourself, portrait scale. Play with a variety of gestures and foreshortening your figure. Your image should be strike up FUN!!!

2. Print out 5 black and white copy machine 8" x 10" (needs to fit onto 9" x 12" watercolor paper with gutter)

3. Use a Sharpie to break down the value areas into generalized flat shapes.  Make a few separate versions of these to choose the best one!

 When project has been completed all FIVE sketches need to be attached into your sketchbook.

 4. Once that has been selected, use a hard pencil to fill in the general shapes of the image.  Press hard enough to emboss the H20 paper underneath it. Alternatively, you may make soft pencil marks on the back of the image, so that when pressing down on it, the mark will transfer onto your drawing paper. 

4. Fill in positive form with flow of water, experiement with ink spots and salt. This area should be where the shadows are found in the Selfie image you have taken. 

Experiment with salt and a variety of mark making explorations you really like.   Salt is drying agent and can make beautiful crystalized abstract figures on your watercolor paper. Make use of your gained material knowledge from our last assignment on PLACEMENT PERSPECTIVE

 Make sure you do NOT complete two adjacent shapes together with your wet media or it will flow into the other!

Note: Overall this value should be the darkest you reach in this drawing

5. Allow to dry thoroughly before adding the background shapes with a waterflow and ink.  Note: Overall this value should be the middle grey in your drawing

6. Allow the lightest, high-keyed areas in the Selfie remain the white of the paper. They may also be, at the very least, the very lightest value range

Note:  High Contrast drawings, express the subject matter as being super flat. You should aim for at least five different areas of value and mark.

Your drawings should look enlivened with the abstract marks accomplished with your waterflows and ink.

Student Work examples: High Contrast drawings in two values / Sharpie marker
You will add your "twist" with value and media explorations in ink / H20 and salt

Student Work 
Part ONE







PART TWO - the value study drawing











Popular posts from this blog

#6 Compositional Abstractions & Media Exploration

Part ONE Objectives + Goals Students will create a non-objective, abstract design using India ink on paper.   Through the image distribution across the pictorial plane, students will recognize the value of placement perspective, while making use of Gestalt theory.   Students will create a dynamic abstract work that is driven by wet material and their experimental mark making to imply a highly textural driven design.    Students will activate negative space by making use of a variety of scale, value, pattern, and rhythm in the creation of a non-objective composition.  The completed designs will emphasize: Placement Perspective  Variation of value  Spatial relations Full value range and Mark Making variety Paper Orientation  = Vertical with interior image area floated Process: Part 1   Methods for creating and making a non-objective mark i. Using your compass, str...
Read more

#3 Sighting Strategies & Establishing Pictorial Space

The Materials VINE CHARCOAL Vine charcoal is a piece of charred willow. It comes in different softness/hardness varieties. Soft vine charcoal will produce dark gray value, Medium will be lighter, Hard produces the lightest value range. It moves very easily on paper. Its easy to manipulate, almost like clay. It's easy to blend with and remove with a kneaded or plastic eraser. COMPRESSED CHARCOAL Compressed charcoal is much darker.  There is a bit of oil in it, and thus the values you can produce will get much darker than vine.  The blackness you can produce is very rick and dark. Compressed charcoal also comes in pencil form. Compressed charcoal works best for fine details and for when you want to produce a rich shadow. Sighting & Measurement in Still Life Drawings Make use of a pencil, chop stick or other straight hand held tool that you can use to lay against the still life forms you see. This will help yo...
Read more

Guidelines for Multi Media Research Presentations

FALL 2019 Guidelines for Research project and multi media presentation     Each student will deliver a 8 - 10 minute multi media research presentation to the class. The purpose of the assignement  is to educate the class of the contributions the artist/designer has made, and  puts each student in the role of educator.  The lectures will include strong visuals and informative facts about the artist/designer   Following there will will be a short Q&A with the class as a whole.    Prior to student presentations, the digital file needs to be sent to me electronically one day prior to the student presentation.   Presentation Checklist > 8 items: _________           Presentations are informative including brief bio, slides of works and how the work fits into the “cultural moment,” including how it is appropriate to our class.  It is not a report on the artist. _________   ...
Read more