Skip to main content

FA 2019 Pepper's Course Schedule & Final Exam Schedule

FA 2019 Jen Pepper
Course schedule

M W F Drawing One SA 111.02 12:20 - 2:20  JCA #206
Final Exam: WED DEC 11 12:30 - 2:30

T TH Art History I  FA 111.01
11:00 > 12:20 MacDonald Lecture Hall, Eckel #109    
Final Exam: FRI DEC 13  12:30 - 2:30

T TH Art History I  FA 111.02

12:30 > 1:50 MacDonald Lecture Hall, Eckel #109    
Final Exam: TH  DEC 12  2:45 - 4:45

T TH Structuring Human Space  SA 132.02 
2:00 > 4:50 PM JCA #207 & 3D Studios  
Final Exam: WED DEC 11  2:45 - 4:45

OH MWF 11:00 > 12:15 PM JCA #210 and by appointment at jpepper@cazenovia.edu

Popular posts from this blog

#6 Compositional Abstractions & Media Exploration

Part ONE Objectives + Goals Students will create a non-objective, abstract design using India ink on paper.   Through the image distribution across the pictorial plane, students will recognize the value of placement perspective, while making use of Gestalt theory.   Students will create a dynamic abstract work that is driven by wet material and their experimental mark making to imply a highly textural driven design.    Students will activate negative space by making use of a variety of scale, value, pattern, and rhythm in the creation of a non-objective composition.  The completed designs will emphasize: Placement Perspective  Variation of value  Spatial relations Full value range and Mark Making variety Paper Orientation  = Vertical with interior image area floated Process: Part 1   Methods for creating and making a non-objective mark i. Using your compass, str...

#1 Interpreting Local Color > Local Value

In this project, you will be inspired by some of the work created by artists and designers from the Surrealist and Dada movements of the early 20th c.   Materials: Magazine images are your fodder for material that are to be arranged into three separate collages in your sketchbooks that are incongruent in the subject matter.   Strive for excellent composition in each. Rules: i. Making use of found images from magazines, on the web, etc.,  you will make use of a large image to be used for the background of a collage.   The minimum edge on any side needs to be 7" or larger.  Make sure you look for images that have a  variety of values  in them, and areas where you can experiment with a variety of  interpretive mark-making  practices.   Repeat this for each collage.  ii. You may "scale" up on the copier machine if necessary. iii. Through found materials look for objects that are incongruent with one and other, however...

Course Pacing Schedule

Vincent van Gogh WEEK 1 MON AUG 26 Convocation WED AUG 28 Classes Begin - Introduction - Syllabus - materials FRI AUG 30   Material Exploration / Value Studies / Pencil / Rulers / erasers / sketchbooks AUG 30 End of Add / Drop WEEK 2 #1/25 Sketchbook Entries Due MON SEP 2   Collage / Local Color > Local Value WED SEP 4 Collage / Local Color > Local Value FRI SEP 6   In-Progress Critique: Collage / Local Color > Local Value #4/25 Sketchbook Entries Due WEEK 3 MON SEP 9  Due: Collage / Local Color > Local Value Linear Perspective / 1 pt. 2pt. 3pt. WED SEP 11 "" FRI SEP 13    In-Progress Critique Linear Perspective #7/25 Sketchbook Entries Due WEEK 4 MON SEP 16  Due: Linear Perspective  Sighting Practices / Still Life / Atmospheric  Perspective WED SEP 18 ""                   *...