Skip to main content

Final Exam Block schedule


FA 2019 Jen Pepper
Course & Final Exam schedule

M W F Drawing One SA 111.02 12:20 - 2:20  JCA #206
Final Exam: WED DEC 11 12:30 - 2:30

T TH Art History I  FA 111.01
11:00 > 12:20 MacDonald Lecture Hall, Eckel #109    
Final Exam: FRI DEC 13  12:30 - 2:30

T TH Art History I  FA 111.02

12:30 > 1:50 MacDonald Lecture Hall, Eckel #109    
Final Exam: TH  DEC 12  2:45 - 4:45

T TH Structuring Human Space  SA 132.02 
2:00 > 4:50 PM JCA #207 & 3D Studios  
Final Exam: WED DEC 11  2:45 - 4:45

OH MWF 11:00 > 12:15 PM JCA #210 and by appointment at jpepper@cazenovia.edu

Popular posts from this blog

#1 Interpreting Local Color > Local Value

In this project, you will be inspired by some of the work created by artists and designers from the Surrealist and Dada movements of the early 20th c.   Materials: Magazine images are your fodder for material that are to be arranged into three separate collages in your sketchbooks that are incongruent in the subject matter.   Strive for excellent composition in each. Rules: i. Making use of found images from magazines, on the web, etc.,  you will make use of a large image to be used for the background of a collage.   The minimum edge on any side needs to be 7" or larger.  Make sure you look for images that have a  variety of values  in them, and areas where you can experiment with a variety of  interpretive mark-making  practices.   Repeat this for each collage.  ii. You may "scale" up on the copier machine if necessary. iii. Through found materials look for objects that are incongruent with one and other, however...

#6 Compositional Abstractions & Media Exploration

Part ONE Objectives + Goals Students will create a non-objective, abstract design using India ink on paper.   Through the image distribution across the pictorial plane, students will recognize the value of placement perspective, while making use of Gestalt theory.   Students will create a dynamic abstract work that is driven by wet material and their experimental mark making to imply a highly textural driven design.    Students will activate negative space by making use of a variety of scale, value, pattern, and rhythm in the creation of a non-objective composition.  The completed designs will emphasize: Placement Perspective  Variation of value  Spatial relations Full value range and Mark Making variety Paper Orientation  = Vertical with interior image area floated Process: Part 1   Methods for creating and making a non-objective mark i. Using your compass, str...

Contemporary Artists who Draw

Gary Simmons Choose the contemporary artist from this list of many... One of these artists will be the basis of your research paper and will be compared to a drawing from Prehistory to 1960. Contemporary Artists  Who Draw: Njideka Akunyili njidekaakunyili.com David Bailin www.bailinstudio.com/ Anna Barriball www.frithstreetgallery.com Julian Beever www.julianbeever.net/ Kent Bellows www.bellows-exhibition.com Joe Biel www.joebiel.com/ Mary Borgman www.annnathangallery.com Troy Brauntuch www.troybrauntuch.com Paul Caster www. paulcaster.com Vija Celmins  www.moma.org/collection/artist.php?artist_id=1048 mckeegallery.com/artists/vija-celmins/ hammer.ucla.edu/exhibitions/2007/vija-celmins/ www.tate.org.uk/art/artists/vija-celmins-2731 Amelie Chabannes www. ameliechabannes.com/selected-works/ Paul Chiappe www. paulchiappe.com/  Sue Coe www.gseart.com/Artists-Gallery/Coe-Sue/Artworks/Coe-Sue-Sharpeville-36...