Skip to main content

#10 White Conte on a Dark Ground

This is a fun exercise to try your hand at and your mind,
as you must think in reverse!

Similar to charcoal drawings we have been involved with, you must, must, MUST work this type of a drawing up slowly, allowing your values to separate slowly -- and pushing the highest contrast areas of value at the very end.

Your goal is to develop a separation of values that identify a foreground, a middle ground, and a background.

Video: Ficitional Landscape
watch for assistance

Homework:
On a dark piece of paper -- darker than middle grey, create a drawing with white Conte, pastel or chalk.
10 x 14"

The subject matter is taken from observation such as still life, a landscape from a photograph, human figure

Here are some examples:













Popular posts from this blog

#1 Interpreting Local Color > Local Value

In this project, you will be inspired by some of the work created by artists and designers from the Surrealist and Dada movements of the early 20th c.   Materials: Magazine images are your fodder for material that are to be arranged into three separate collages in your sketchbooks that are incongruent in the subject matter.   Strive for excellent composition in each. Rules: i. Making use of found images from magazines, on the web, etc.,  you will make use of a large image to be used for the background of a collage.   The minimum edge on any side needs to be 7" or larger.  Make sure you look for images that have a  variety of values  in them, and areas where you can experiment with a variety of  interpretive mark-making  practices.   Repeat this for each collage.  ii. You may "scale" up on the copier machine if necessary. iii. Through found materials look for objects that are incongruent with one and other, however...

Contemporary Artists who Draw

Gary Simmons Choose the contemporary artist from this list of many... One of these artists will be the basis of your research paper and will be compared to a drawing from Prehistory to 1960. Contemporary Artists  Who Draw: Njideka Akunyili njidekaakunyili.com David Bailin www.bailinstudio.com/ Anna Barriball www.frithstreetgallery.com Julian Beever www.julianbeever.net/ Kent Bellows www.bellows-exhibition.com Joe Biel www.joebiel.com/ Mary Borgman www.annnathangallery.com Troy Brauntuch www.troybrauntuch.com Paul Caster www. paulcaster.com Vija Celmins  www.moma.org/collection/artist.php?artist_id=1048 mckeegallery.com/artists/vija-celmins/ hammer.ucla.edu/exhibitions/2007/vija-celmins/ www.tate.org.uk/art/artists/vija-celmins-2731 Amelie Chabannes www. ameliechabannes.com/selected-works/ Paul Chiappe www. paulchiappe.com/  Sue Coe www.gseart.com/Artists-Gallery/Coe-Sue/Artworks/Coe-Sue-Sharpeville-36...

#5 Negative Shape Drawings

In drawings there are three basic elements of composition:  the frame (the edge of the pictorial space)  the positive the negative space The positive space is easiest to understand because we see it. Generally, it is the space occupied by your subject.  Conversely, negative space is the space that is not your subject and people often simply forget about.  Simply put,  Negative space  is the  space  that surrounds an object within an image.  It is just as important as that object itself -- air is important for most every living organisims isn't it? N egative space  helps to define the boundaries of  positive space  and brings balance to a composition. The negative space is defined by the edges of the positive space and the frame or border (the third element).  Thus, part of our negative space is bound by the frame and another part is bounded by the positive sp...